Sam writes:
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Daniel Cil Brecher |
Danny said that a turning point for Muslims in the Netherlands was the September 11, 2001 terrorist attacks in the U.S. This triggered a stream of anti-Muslim sentiment. Jews had been targeted for hatred because of the existence of the state of Israel. Danny highlighted their common denominator: they are both minority communities that want to define themselves as different. He said that the desire to"...defin[e] yourself [is a key aspect that] creates a lot of problems for both groups, but also creates a sense of identity. They don't talk to each other because they internalize these boundaries that come along with their ideologies."


Joseph writes about the issues of race and migration that he researched, along with his question to Danny:
While focusing primarily on relations between Jewish and Muslim minorities in the Netherlands, Daniel's description of the anti-immigrant policies of current right-wing parties in Europe reminded me of a time immediately after the fall of the Iron Curtain. When former Eastern Bloc countries such as Poland joined the European Union in the late 1990s, many migrant workers from these countries moved west to take up low-wage jobs. I asked if there was a possible connection between current anti-migrant feeling in these western EU countries and what resulted from the employment of, for instance, Polish migrant workers.
Daniel responded by saying no: Poles were white and practicing Christians, which is not necessarily the case for migrants and refugees from Syria or other non-European continents. This racism and sectarianism may come, he speculated, from the inability of the Dutch to truly confront their colonial past. Whereas the British have more notably embraced multiculturalism and welcomed migrants from Commonwealth nations, the Dutch have not. Dutch who come from former Dutch colonies such as Suriname or Indonesia have a much more challenging experience. They may never feel or be accepted as truly Dutch.
To prove his point that race is the issue, Danny said that there was no backlash to the influx of Polish migrant workers in the 1990s. Instead, it is more about a visible or projected difference, a tribalism and inability to answer the question "What does it mean to be Dutch?" that is more likely behind the anti-migrant sentiment sweeping through too much of Europe today.
It's both a new and fascinating perspective and development outside of the more general news on both Jewish and Muslim issues that we hear about and face in the United States -- an informative and intriguing time was had by all. Thank you again to Danny for meeting with us!
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On Saturday morning we visited the Anne Frank Museum. Matthew writes:
A couple of days ago we all went to the Anne Frank museum . This was another eye opening experience because generally one does not think of or perhaps remember that here in Holland, persecution of the Jews was widespread and awful much like in Poland, France, Hungary, etc. Though the atrocities and the violence were not as bad here, thousands of Jews from Holland were killed during the war. Over 100,000 Jewish people lived here, and by the end of the war, less than a few thousand were alive. Among those who perished were Anne Frank and the rest of her family except for her father Otto.

Carine writes:

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On Saturday afternoon we visited the Rijksmuseum, the national museum of Netherlands. It was pretty awesome! The art lovers among us spent their free time to visit other museums, too: the van Gogh Museum, the Rembrandt House, and Rebecca went to the Vermeer Museum. She writes:

He trained in Italy, France, and Flanders. He was exposed to earlier Baroque artists such as Caravaggio and Rembrandt who influenced his painting style. Some common themes he painted consisted of women reading or writing letters, playing musical instruments, or adorning themselves with jewelry. His aim was to express a sense of inner harmony within everyday life, primarily within the confines of a private chamber. He also utilized the laws of perspective and the placement of objects such as chairs, tables, walls, maps, windows, etc. to create a sense of nature's underlying order. The objects are carefully chosen as well as their position, proportion, color, and texture-- all of it contributed to the big idea, or the concetto, the Italian term for an overall concept.


The art of painting is not being able to trump all other medias available at the time, but by being able to portray precious memories that cannot be relived any other way, not in sculpture or maps. Vermeer is preserving this exact memory of his daughter, and only painting can do that at the time.
Like most artists, he did not receive proper recognition and appreciation for his work and skills until after his death. He died almost penniless and from an unknown illness at the age of 43. Even when walking around Amsterdam, I noticed that Rembrandt is highly recognized and has several squares, bars, and hotels named after him, while Vermeer is not given as much attention or recognition despite his phenomenal paintings.
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